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| | Description | Hardcore pornboth the straight and gay varietiesentered mainstream American culture in the 1970s as the sexual revolution swept away many of the cultural inhibitions and legal restraints on explicit sexual expression. The first porn movie ever to be reviewed by Variety, the entertainment industry’s leading trade journal, was Wakefield Poole’s Boys in the Sand (1971), a sexually-explicit gay movie shot on Fire Island with a budget of $4000. Moviegoers, celebrities and criticsboth gay and straightflocked to see Boys in the Sand when it opened in mainstream movie theaters in New York, Los Angeles and San Francisco. Within a year, Deep Throat, a heterosexual hardcore feature opened to rave reviews and a huge box officeexceeding that of many mainstream Hollywood features. Almost all of those involved in making commercial” gay pornographic movies began as amateurs in a field that had virtually never existed before, either as art or commerce. Many of their underground” predecessors had repeatedly suffered arrest and other forms of legal harassment. There was no developed gay market and any films made commercially were shown in adult x-rated theaters. After the Stonewall riots and the emergence of the gay liberation movement in 1969, a number of entrepreneurs began to make gay adult movies for the new mail order market. The gay porn film industry grew dramatically during the next thirty years and transformed the way mengay men in particularconceived of masculinity and their sexuality. Bigger Than Life tells that story.
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| | Product Details | | Author: | Jeffrey Escoffier | | Hardcover: | 368 pages | | Publisher: | Running Press | | Publication Date: | May 26, 2009 | | Language: | English | | ISBN: | 0786720107 | | Product Width: | 1.56 centimeters | | Product Height: | 2.31 centimeters | | Product Weight: | 0.01 pounds | | Package Length: | 9.1 inches | | Package Width: | 6.1 inches | | Package Height: | 1.4 inches | | Package Weight: | 1.25 pounds | | Average Customer Rating: | based on 9 reviews |
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| | Customer Reviews | Average Customer Review: ( 9 customer reviews )
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Most Helpful Customer Reviews
7 of 7 found the following review helpful:
Great Overall History With Some Notable Gaps Jan 03, 2010
By Ranch Hand
"Greg"
I found this book to give an excellent overview of the gay porn industry from the sixties to the present. It did seem to focus a bit much on certain production companies (AMG in the early days and Falcon in the eighties and nineties), while ignoring or peripherally mentioning others such as Colt Studios and Titan Media. Likewise with certain of the gay subcultures with thug porn getting a separate chapter but absolutely no mention of the bear subculture. This may be due to just the wide range of gay porn out there, or might be a result of too much reliance on Manshots, that may have had its own internal biases, as a primary source of information. All in all though, this is an important history and record of an aspect of gay life whose importance and influence is often overlooked or minimized.
15 of 18 found the following review helpful:
Gay Porn From the Inside Nov 06, 2009
By Larry Lingle I had a special interest in Jeffrey Escoffier's book as I fairly much by chance started a gay bookstore in Dallas, Texas, in 1974 and rode the wave of the gay porn business for years. While my wave crashed in 2004, after reading Escoffier perhaps I got out at the right time considering the changed market from selling the product in person as opposed to the internet. All the characters that cross his pages are familiar from names on video boxes to friendships with such interesting persons as Richard Lawrence and Drew Onkon (Al Parker) - one story not in his book was told to me by Drew about selling the masters of his Surge Studio films to a certain "business man" in Las Vegas. If I were to point to any omission it would be from the view of the gay retailer such as myself. How my partner and I had to fly out of state for merchandise because of strict state laws, how we had to travel to San Francisco (a great sacrifice I know) to acquire Falcon 8mm films via Le Salon's then owner, and having to use a friend in the military in southern California to pick up videos from William Higgins. But his book does fill in a lot of blanks (such as who was known as the Black Budda) from my perspective.
13 of 17 found the following review helpful:
Well Written History of Gay Porn Oct 23, 2009
By Scott E. Lopriore
"scottlop"
Gay Porn is an interesting counter-culture subject. I have read many books about the Gay Porn escapades. Basically the book by Wakefield Poole, bio on Casey Donovan and Al Parker; to the tragic story of Joey Stefano. This book is a perfect work to read.
The author executes subjects in gay porn in perfect timing. From the 60s of Andy Warhol's movies, to Wakefield Poole's classic BOYS IN THE SAND, then on to the development of FALCON and other production companies, gay-for-pay, and directors who process their own style. What got me thinking is how the author explains the difference between GAY PORN SUPERSTAR and GAY PORN STAR. There are many many GAY PORN STARS right now with the increasing demand of porn and internet, BUT there isn't a SUPERSTAR. I would have liked the author to talk about KRISTEN BJORN. Even though he is quoted in the book in certain areas, BJORN has his own style of gay porn which is unique and, I feel, artistic. This is an easy read, not boring at all. Buy this book!
15 of 21 found the following review helpful:
surprisingly good Aug 09, 2009
By tamiii
"tamiii"
There is a theory, mind you its just a theory, that a phenomenon lasts twice as long as when one first encounters it. Here, the author predicts the demise of gay pornography--at least as it is known. Born in the 1960-1970 period, gay porn has an interesting foundation. Performers really don't make that much from the films themselves but it enhances marketing of escort services by elaborating a fantasy, a remarkably affordable one. So while the author makes no predictions about gay prostitution, he makes many, many interesting observations about the appeal of gay porn, from its trumpeting of liberation to the response to AIDS to questions of race and, probably most importantly, the role of story. As such, this book is really about much more than what turns some men on (the few female viewers receive no attention). As a work on culture, its a shocker, finding the profound in what some may find banal.
1 of 1 found the following review helpful:
Enticing Subject, Essential Book! Read It for a Mostly Thorough Survey and History of Gay Porn Films and Video Aug 09, 2011
By C-P Parker
"Jerry Parker"
Jeffrey Escoffier's studious survey of the history of male gay (and bisexual) pornography (and of some erotic film of borderline-porno nature, i.e. Canada's own Bruce LaBruce's wonderfully strange and often humourous movies, certain films of Andy Warhol, etc.) is a conscientiously thorough (well, mostly!), albeit not really inspired or exciting study of its subject. The collector should keep in mind that the American editions alike in hardback and paperback bindings, as well as the British paperback edition of the book, all bear the title "Bigger Than Life: the History of Gay Porn Cinema from Beefcake to Hardcore", while the British hardcover edition perhaps bears the same title or perhaps is entitled "All-Male, All of the Time: the Larger-Than-Life History of Gay Porn Cinema", judging from an internally inconsistent listing (of two for the work) for that format edition on the United Kingdom's Amazon site but not from much of any evidence elsewhere. Escoffier covers most of the aspects, producers, and porn stars which are seminally important. I won't add more than a bit beyond that, other U.S. Amazon reviews touching on much of what I also would mention. I just want "to make a plug" for a book that is well worth reading for any gay man or student of erotic pop culture.
There are gaps in Escoffier's book. Obviously, some recently emerging stars (my favourite being Brazil's gorgeously, darkly sexy Dario Beck) have no coverage in this book, but that is an inevitable limitation of book publishing, which fixes data in time, at least from one edition to the next. On the other hand, some genres or types of gay pornographic video come up "missing-in-action". Where is coverage of the "bear" or "chubby chasing" genres? of French and other European porno cinema and video of reasonably wide distribution and hence accessibility? of loner eccentiric masterpieces like "Thundercrack"? of the output of the Bel Ami Studio and other video porn of the popular Eastern European gay scene (and of its achingly beautiful young men)? I also would have liked some attention from Escoffier to the phenomenon of videos that are of unusual length (more quanitity, often, than quality), of four hours, five hours, even ten hours duration. What is the home market for such videos, which seem better intended for circular, non-stop play in gay bars, saunas, or in other such settings?
As for the lack of illustrations, which most private readers, no doubt, who acquire this book would welcome and enjoy, this is not really so surprising for this particular monograph. Escoffier's serious and scholarly approach makes the book suitable not only for the individuals who consume video porn and who who thus buy this book to add to their own informed enjoyment of erotic cinema and video, but also for academic and other public collections, where the presence of erotic visual matter would be unwelcome, due in great part to the level of vandalism and theft that printed documents with sexually explicit illustrations can suffer in such library environments.
I am pleased that while Escoffier pays attention to some of the theoretical aspects of sexuality and of its depiction in erotic cinema or elsewhere, he avoids annoying the reader with unreasonable partisanship on these matters or excessive length devoted to such matters. Most agreeably, he discounts (more mildly than deserved) the fatuous fulminations of that grotesque blimp of a woman, Andrea Dworkin, and her absurdly bloated and self-indulgently spiteful, anti-male conceptions (not limited to the matter of pornography). It is about time that such panderers of hate-filled extreme feminism as Dworkin received the scorn that they deserve! This is a good indicator of Escoffier's level-headedness and sane approach to his subject.
The editing of Escoffier's book is not perfect. There are sentences flawed by dropped or incomplete words, grammatical errors, and by suchlike mistakes. However, they are not so numerous as to become unduly irksome. The chapter bibliographies seem to be of adequate extent and are helpful, the indexing deep enough to provide access for what most readers are likely to seek within it.
Get this book, if the subject interests you at all!
See all 9 customer reviews on Amazon.com
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