Hailed as the most successful exhibition of photography ever assembled, The Family of Man opened at The Museum of Modern Art, New York in January 1955. This book, the permanent embodiment of Edward Steichen's monumental exhibition, reproduces all of the 503 images that Steichen described as "a mirror of the essential oneness of mankind throughout the world. Photographs made in all parts of the world, of the gamut of life from birth to death." A classic and inspiring work, The Family of Man has been in print for more than forty years. The New York Times once wrote that it "symbolizes the universality of human emotions." First produced by a magazine publisher and sold by the hundreds of thousands on newsstands and in airport shops, The Family of Man has been in more recent years published by the Museum. It has been continuously in print since 1955; the present Thirtieth Anniversary Edition was prepared from original photographs with all new duotone plates in 1986.

Making us aware of our responsibility to cherish life, to handle it tenderly and respectfully, for our own sake and for the benefit of our children, is its clear intent.

I discovered this book on my parents' bookshelf at the age of six. It was my introduction to the world, as expressed through the images of others. Thanks to The Family of Man, I began to understand the vastness of the world, in contrast to my own small one.

I saw more in those images with every passing year. The aphorisms from the world's great literature, printed alongside the photographs, became comprehensible to me as I learned to read words as I had been taught by this book to read human faces. I was impressed by our vast differences, and touched and comforted by the common humanity that we share with one another.

The messages contained within this work are timeless and relevent. If I had the power to do so,I would place a copy of this book in every classroom of every grade of all the schools in the world. In my opinion, there is no one of any age for whom this book is not appropriate.

I believe from the beginning we all want to be the best we can be; somehow along the way too many of us lose hope. This book reminds us of the worthiness of the pursuit of the meaning of life. Though as individual members of the global community we may be quite different, we nonetheless see in these pictures the implications of choices made for, and against life--and we are inspired to consider thoughtfully the implications of our everyday thoughts and acts.

This may well be the first and greatest lesson in life.

15 of 15 found the following review helpful:


A brilliant presentation of the human spirit on film  Nov 23, 1998 By JStrobel@Compuserve.com
This book details the Family of Man photography exhibit composed of photos that Edward Steichen collected from photographers throughout the world. From the intro by Carl Sandburg (his brother in law), to the photographs of birth, life, death and the emotions and events in between, the book shows true humanity through the eyes of the camera. Featuring works by many famous, but yet unknown photographers, this book is a true treasure. When you glance at its pages you will discover new perspectives, or maybe something inside yourself. This is not a picture book, but a photo biography of the human race. If you are tired of coffee table books that sit unopened, pick up this book a few times and share it with your friends. You will read it again and again, discovering new secrets with every turn of a page.

14 of 14 found the following review helpful:


Still packs a punch!  Mar 28, 2001 By middlemoo "maraschino"
I recently purchased this book, after having grown up with it in the 50s and 60s. The photographs are as stunning, vibrant and moving as I recall, and I realized that I had clearer memories of this collection of pictures than those in our family photo album - which probably says a lot about my family and cameras?!

Anyway - there's something VERY 50s about these photos - the Germans look "German" - the Irish look "Irish", and so forth. This collection of photos presents a very UN-MELTED "melting pot" at the same time it reveals a universal humanity and compassion. There's palpable joy, sorrow, pain, love, beauty, ulginess and every other human emotion depicted here. It's a beautiful book you won't be sorry you got!

13 of 13 found the following review helpful:


This book is a magic book--absolutely essential. (NOT recent editions, though).  Nov 23, 2005 By AvalonM "Life is short. Listen to good stuff."
I've always thought of THE FAMILY OF MAN as a magic book, ever since discovering it on the family bookshelves when I was a young child. The thing was (above and beyond the book's excellence and power to move anyone with a heart), for many years it seemed that every time I would delve into this book, there would be at least one new picture, one I could swear I'd never seen before. I still sometimes have that experience (although nowadays I tend to attribute it to an aging mind). I do remember at first being most impressed and guiltily fascinated by the powerful pictures of birth, which my siblings, our friends and I would look at, giggling in horrified wonder, and by those "nasty" (actually, beautiful) pictures of breastfeeding. I still remember our mom explaining that there was nothing "nasty" about any of those pictures, that they were true and lovely. That was only one of many life lessons she taught us, using images from this book.

Each image is a whole story, a world, unto itself, and the beauty is the connection of each one to all the others, just as we are all connected to each other in the family of man (as well as to all that the world comprises, like it or not). As others have written, I have given numerous copies of this book as gifts over the years. (That was not so successful when I gave it to my brother and sister-in-law as part of their wedding present. My brother had grown up with it, but his bride had never seen it before, and was somewhat horrified and disgusted by it; unfathomable to me. I don't think it lasted long in their home, if it ever made it there at all.)

Sometime in the mid-'90s I bought a new copy in a bookstore, and was upset and very disappointed to discover how it had been changed and messed up in that edition (which was, I believe, put out under the aegis of Disney's Buena Vista Entertainment). The look and feel of the paper were wrong, to begin with: too bright white and thick. Pictures had been cropped differently and (I think I'm remembering correctly on this), in some cases, laid out somewhat differently. I recommend avoiding such copies (I don't know what is being published now in that regard, or if the book is out of print, or if they've gone back to the original look and feel); the differences, though subtle, really are jarring and very much diminish the quality. This 'brightened' version came in the wake of a spate of "Family of..." books (Women, Children, and I think maybe a couple of others), that always seemed opportunistic, a little crass, and pitiful in their inability to approach the fundamental, universal, inevitable feeling of the original. Not that these others were without merit, but almost always, an original will far overshadow any sequels or copies that come after it. That's certainly the case here.

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