Acclaimed as one of the most exciting books in the history of American letters, this modern epic became an instant bestseller upon publication in 1974, transforming a generation and continuing to inspire millions. This 25th Anniversary Quill Edition features a new introduction by the author; important typographical changes; and a Reader's Guide that includes discussion topics, an interview with the author, and letters and documents detailing how this extraordinary book came to be. A narration of a summer motorcycle trip undertaken by a father and his son, the book becomes a personal and philosophical odyssey into fundamental questions of how to live. The narrator's relationship with his son leads to a powerful self-reckoning; the craft of motorcycle maintenance leads to an austerely beautiful process for reconciling science, religion, and humanism. Resonant with the confusions of existence, Zen and the Art of Motorcycle Maintenance is a touching and transcendent book of life.

I always intended to read the book again and finally last month I found an open week, bought a copy of the new 25th anniversary edition, and went at it. The text is unchanged in content but the print is larger and much easier to read than in my old paperback edition. The margins are wider and allow more annotations. It is well worth getting this Anniversary edition.

This time I got much deeper into Pirsig's main premise--the one noted above. Pirsig believes Quality to be the missing element in today's culture, but he says it must be kept undefined so that rationality will not be able to kill it again as it did thousands of years ago.

My major satisfaction from this novel still comes from the unusually perceptive and cleverly-wrought metaphors that Pirsig presents to advance his philosophical arguments. I have so many favorite ones it is difficult to choose among them. For instance, he labels the University as "Church of Reason," indicating it fanatical devotion to rationality at the expense of other values not approachable through rational means. No wonder professors of philosophy feel threatened. Rationality is their bread and butter!

Other illustrations: He compares the experience of looking out of a framed car window with the frameless view you get riding a motorcycle and uses this as an example of breaking down the subject/object boundary. He indicates that his objective is not to deal with "the 'news,' the silt of tomorrow" which accumulates when the river of culture bends, but to try to deepen the channels of "the best" that lies ahead along the river's future course. He likes to follow "an arrow that enlarges sideways in flight" rather then tracking its forward path in order to find "lateral truths" that point to falseness of axioms which prevent hitting the target. He points out that "institutions such as schools, churches, government, and political organizations of every sort all tend to direct thought for ends other than truth, namely, for the perpetuation of their own functions." I have often pondered this telling truth.

Ultimately, he finds Quality to be the uppermost element of the triad of truth--the creator of both subject and object, residing in the interface between the two. His comparison of Quality with the ancient text of the Tao is exhilarating!

The Quality of this novel is extraordinary for me. It exhibits many of the aspects of Quality in writing such as integrity, imagination, flux, continuity, suspense, insight, pathos, and allegory as it attempts to find the missing element in today's technology-dominated world. It is one of the five formative books in my life, and has a place on my "favorites" bookshelf next to Walt Whitman's "Leaves of Grass" and the poems and essays of D.H. Lawrence.

32 of 35 found the following review helpful:


A Narrative and Philosophical Masterpiece  Jul 11, 2000 By william woolum
I first read Zen and the Art of Motorcycle Maintenance as a college senior twenty-five years ago. I remember then being frightened by how this man's determination to pursue a philosophical idea to its conclusion, even if it were against the grain of established conventions of thinking, drove him insane. I was afraid deeper study and questioning might do the same to me. I know now, however, that I'm not insane. I also know that twenty-five years ago this story of a man and his son travelling by motorcycle from Minnesota to the Pacific Ocean took deep residence in my soul.

I've been a teacher now for twenty-three years, long enough to forget some of my initial influences. But, as I read this book all these years later, I realized that my philosophical view points, examples I use to illustrate ideas with my students, what I believe the purpose of an education is, and several other bits of pedagogy and ideology originated in Pirig's story.

I highly recommend this book, maybe especially if you are unread in philosophy and would like a readable, enjoyable, and provocative entree into the history and vocabulary of philosophy.

It's a deeply moving, intellectually stiumlating story. Its devotion to story-telling and philosophical inpuiry is indeed most rare.

29 of 36 found the following review helpful:


Not 5 star, more like 5 Tera-star  Jan 12, 2000 By Joe Atkinson
This book is the most impressive, encouraging, moving, inspiring book I have read thus far (I'm 31). It's not difficult. It's just big. It covers a gigantic range. Word up, people...the motorcycle journey is a frame for the interesting stuff, and allows us a short break while we process. They start low, running away. They climb. The climb gets tougher, then tops out with a gods-eye view of NOT the world as in planet Earth, but of life, the universe and everything. Too much for mere mortals such as us puny humans to endure, so what goes up must come down. Reach journey's end, and it's time to turn round and go home. And so the cycle (no double meaning intended) continues. Pirsigs message is, I think, this; the ultimate metaphysical truth is beyond our understanding - that is why it ('Quality') must be held undefined. Pursue it with our feeble mental capacities, and you will be declared insane (that's what happened to Pirsig, he was institutionalised, and got BIG voltage to the frontal lobes). The best advice he can give us after surviving this experience and, incredibly, still being able to write, is use your own judgement - 'What is good, Phaedrus, and what is not good - Need we ask anyone to tell us these things?' Nobody's ideas, notions, beliefs are absolutely true, they are all relatively true; relative to when we are, where we are, who we are. E=mc2.I'm sorry not everybody loves the book, but I cannot tell them they're wrong. Abandon shallow ego goals and open your mind to the sound of one hand clapping. Art & science aren't opposed opposites, they are both useful tools when you understand what they can do. Robert, thank you for your loving gift of this book. You will always live in my heart.

24 of 31 found the following review helpful:


One Of The Best Nonfiction Books Written In the 20th Century  Jul 10, 2000 By Barron Laycock "Labradorman"
Robert Pirsig's incredible tour-de-force in this book is literally the intellectual adventure of a lifetime, and one that still leaves me shaking my head in wonder after thirty years and a number of readings of it. I was introduced to "Zen" by my brother in law, who promised me that I would enjoy it. By now I must admit to now having several short quotes from it framed under glass at various spots in the house, because I was so taken by the gravity of what he has to say, and the disarmingly simple way he usually chooses to say it. Pirsig is a man with a lot to say, and a lot of wisdom in what he has to offer.

Although I must admit that I do not agree with certain key aspects of his argument regarding the way the ancient bifurcation between what he calls romantic and classic perceptive orientations can at last be repaired and restored to cognitive and intellectual unity, I stand in utter awe at the quality of mind any human being must have to marshal such a breath-taking effort as this, at the accomplishment of conceiving and articulating the philosophical treatise described in such loving and painstaking detail here. His grasp of such eclectic, obscure and philosophically central notions truly is a feat quite the equal of the ascent of Everest in terms of the levels of concentration, mental endurance, and simple cognitive acumen necessary to muster this kind of argument.

The book works on two levels that both assist and complement each other. First, the story narrative, which he uses both to illustrate ideas he is talking about and to introduce ideas he wants to discuss, also acts to bring us back to "normal everyday reality' after spinning high in the thin cold air of his theorizing. Second, the philosophical story becomes a kind of sophisticated detective story for curious intellectuals, as Pirsig's alter ego, Phaedrus, searches deeper and deeper into the mysteries that once led him into insanity because of the sheer intensity of his efforts to solve the riddle of the difference between the two seemingly irreconcilable aspects of reality (the romantic and the classic).

The book is an awe-inspiring trip into a discovery of the nature of reality, contemporary society, and yourself. It has led to study groups, study guides, and a whole cult of Pirsig watchers who consider him the functional equivalent of the wise seer. The wildly best-selling book also led Pirsig deeper into a life of isolation, eschewing publicity and seeking greater introspection. There is a sequel, called "Lila", which also enjoyed a best-selling run on the charts in the early 1990s. This is a book that is quite unlike anything else you have ever read, and is something you have to experience to understand in its full impact. It is also a book I can recommend with a smile, knowing with confidence you will be glad you finally decided to buy it and read it. Enjoy!

8 of 9 found the following review helpful:


A Readable and Enchanting Novel Invoking Philosophical Ideas  Nov 11, 2000 By Tatsuo Tabata "tttabata"
A Japanese biologist wrote about this book in a Japanese magazine as
follows: Many years ago when she was studying in England and going to
buy a motorcycle, one of her colleagues recommended her to read this
book, but it was not really a book on motorcycle maintenance but a
book that taught philosophy in a simple manner. She liked this book
and read it repeatedly.

Reading this story and finding that the
twenty-fifth anniversary edition of this book was published in
paperback, I bought a copy and began to read it by expecting to learn
something about philosophy or the history of philosophy. To some
extent, this expectation made me read the book quickly in an effort to
get to possible chapters where the teaching of philosophy might be
fully given. Even without such a motivation, however, one could read
this book speedily, because the story magically enchants the reader
and because the style of Pirsig's writing is very readable even to the
non-native speaker of English who, like me, has read only a small
number of novels in English.

Surely, descriptions of classical
philosophies and contemporary philosophical problems are given in
parallel with the story of motorcycle traveling, I have found that
this is essentially a novel, which invokes ideas about the
reunification of art and technology and about the quality of life. The
great point of the book is that it can also be enjoyed as a book
on philosophy, though descriptions of ancient Greek philosophies in
later chapters are not very understandable. In the last chapters the
story of a relation between a father and his son reaches a moving
climax.

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